These can be:. Due to the small tape width and slow speed that normal speed cassettes run at, they usually have a reputation for poor sound quality and reduced frequency response. This is often the case, but with the right tools well-recorded cassettes can sound very good and the best can be got from other recordings.
Unless you are playing back a tape recorded from a known, properly-calibrated tape machine it is often necessary to adjust the playhead azimuth to get the best high frequency response when digitising audio cassettes.
On many tape players this is difficult, not very accurate and is often not done - so tape transfers can suffer. The machines we use all have easily adjusted playhead azimuth to get the best from your tapes. In Philips invented the compact audio cassette medium for audio storage, introducing it in Europe in August and in the United States in NovemberUntitled - Cadaverizer Noise / P.A.C.
(2) - Split (Cassette), with the trademark name Compact Cassette. The cassette tape is 3. At standard speed, the tape moves at 4. In the early Untitled - Cadaverizer Noise / P.A.C. (2) - Split (Cassette), sound quality was mediocre, but it improved dramatically by the early s when it caught up with the quality of 8-track tape and kept improving. The compact cassette went on to become a popular and re-recordable alternative to the inch vinyl LP during the late s.
For a time in the s and s the cassette was a ubiquitous part of everyday life. The invention of the Walkman in revolutionised how and where people listened to music. Rather than fussing over particular brands and models, concentrate on getting a deck in good condition, e. Old or well-used cassette decks can suffer from a number of problems. Some things like dirt on the heads or head magnetism are easily fixed by you, others particularly worn heads may make a deck uneconomical to repair.
Buyer beware! Sometimes you just get lucky. A corrected azimuth. When a cassette is recorded, this angle ideally 90 degrees is determined by the positioning of the head used to magnetise it, and can differ between machines. If played back on a machine where the azimuth is aligned differently, the cassette sounds muddy and the high frequencies are attenuated.
On some decks it is possible to manually adjust the heads using a screwdriver. During playback, gently turning the screw supporting the playback head will rotate the azimuth and noticeably modify the quality of the sound.
Locating the perfect azimuth can produce a vastly superior cassette rip. A good recording environment. What am I talking about? I'm talking about a recording environment that's as free as Untitled - Cadaverizer Noise / P.A.C. (2) - Split (Cassette) from electrical and RF noise as possible. This is important because as ripping cassettes is an analogue process your recording will pick up whatever electrical noise is around.
I was going to rate this condition as being less important than a good soundcard, but trust me, high noise or pops and clicks are much more objectionable than mild distortion or non-linear frequency response! OK, all well and good, but how do you test how much electrical noise is present and how do you minimise such intrusions?
Have a listen to the resulting recording and check out the spectrogram - there will be a low level constant hiss, but it shouldn't vary much and there should be no pops or clicks. Any variation in the noise recorded means that you're picking up electrical interference from somewhere. To minimise electrical intemperance, avoid setting up your equipment near anything with a motor in it particularly big motors such as air-conditioners, fridges, room fans etc.
If your electricity supply is subject to frequent brown-outs, i. A good sound card. Most soundcards including onboard sound released in the last 3 years are OK, but stepping up to something like one of the Creative Audigy or X-Fi cards, or something from the ASUS Xonar range will improve things.
There are bigger and better cards out there, but any of these are more than enough for great cassette rips. Who's a lucky boy? It's worth getting to know what your soundcard and recording software can support.
Read your manuals. Note that there's little point in using sample frequencies higher than 44kHz - most cassettes won't exceed this bandwidth. Remember, in the end just plunking a tape into any player and running the line-out into any soundcard's line-in will give a recordable signal and for rare tapes people may be willing to overlook quite a bit just to hear the music.
But that's Untitled - Cadaverizer Noise / P.A.C. (2) - Split (Cassette) reason not to try and do the best job that you possible can! Despite new tapes being preferable, it may be the case that you have just discovered a rare classic hiding away in a dusty attic or the like that's twenty years old or more. Look out! Sometimes very old tapes can suffer from mold or oxide shedding.
Mold will show itself as discolouration of the tape, and as well as sounding bad it can cause the tape to stick to itself inside the cassette shell - if you try and play such a tape it could very well snap. It's safe to say you should seek another copy if this ever occurs. If you desparately want to rip this, for personal pleasure or for great bounty you should really be talking to Untitled - Cadaverizer Noise / P.A.C.
(2) - Split (Cassette) tape restoration professional. Oxide shedding is far less common but has the ability to really gunk up your machine. If the tape seems to be shedding "glitter" or flakes of brown gunk don't play it - again, take it to a restoration professional.
These are the worst things that can happen though - your old tapes may play and sound just fine. Audio processing can be broken into three parts - recording, sound processing, and track splitting. Let's tackle the recording stuff first. As alluded to earlier, bit 44kHz is perfectly adequate for ripping cassettes. If your soundcard supports recording 44kHz audio at bits then it will help to do so, just don't worry if you can't.
In whatever software you are using to record, set your recording gain sliders to maximum. These may be labelled line-in or microphone. The next bit is important, but once set won't need to be changed again. Using a loud section of tape the loudest you can find ideally! Of course, you should try a range of levels and noisereduction settings and see what works best for your system. Some tapes may display the Dolby symbol, a logo akin to two Ds, one reversed.
Nov 09, · Cassette tape noise clean-up on wav file; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. Dec 18, · Any cassette deck will need service over time due to perishable rubber parts such as belts, idlers,and pinch rollers. Parts like capacitors change value with age or leak. Parts for many cassette decks are not available, too expensive. or bad quality. Explore releases from Manuel M. Cubas at Discogs. Shop for Vinyl, CDs and more from Manuel M. Cubas at the Discogs Marketplace. Identifier: notiwatc Topics: Cassette, Tape, Noise-Arch, Independent. The Noise-Arch Archive. 11, 11K. NOISE-ARCH: Welcome Worlds - Music from Philadelphia. Dec 3, 12/ audio. eye 11, favorite 34 comment 6. A digitized tape from the NOISE-ARCH Archives. Identifier. Oct 26, · I remember in the 90's Pioneer marketed a line of cassette decks with some kind of digital noise reduction and was also advertized as Wide Range. I don't recall the highest frequency it could record but it was well beyond Hz with a metal tape. I don't know how it got that. The new, patented Mini-Split Cassette Bib® Kit is the latest in the line of solutions for cleaning ductless systems. It is completely re-usable, and attaches quickly to ceilings and other cassette systems and creates a bib section to protect floors and other areas from cleaning overspray. Aug 27, · Fixed noisy cassette deck on an E38 BMW Wouldn't play the songs in the right speed either. Spanish tape label Cadaverizer Records was run by Manuel M. Cubas from to and released mainly Noise and Noisecore tapes, it was especially dedicated to the Grindcore oriented side of Noise. In Manuel M. Cubas started a new label, R.O.N.F. Records, through this label some of the Cadaverizer Records' releases have been reissued in CDr format through the years to Jan 03, · I bought a Toshiba Stereo Music Center Model AX Records sound great and work fine, radio is spot on, but whenever I put in a cassette it makes a loud buzzing sound. Is thee a way to clean the cassettes? I have old recording of my grandpa singing his . National Audio duplicates cassette tapes on high-speed, studio-quality, open-reel tape recorders known as duplicating slaves. This produces cassettes with a higher output level, lower background noise, less wow and flutter, and a dB crosstalk rejection between tracks. We do not duplicate from a master cassette.
Pruet - Potabilizadora - Despercatos Asofäl, Ñoghs! (Cassette), First Rule - Bitch Queens - Female Shotgun (CD, Album), Trod On Home - Dixie Peach, Ras Telford, Ranking Forrest - Trod On Home (Vinyl), Des Ailes A Mes Souliers - Dorothée - Tremblement de Terre (CD, Album), Closedown, Germany - E-Zone - Germany (Vinyl), Buffy Sainte-Marie - She Used To Wanna Be A Ballerina (CD), Deaths Grip - Various - Stranded In Cleveland, Ohio (Cassette)