At this moment, Munkustrapthe show's main narrator, explains that tonight the Jellicle patriarch Old Deuteronomy will make an appearance and choose one of the cats to be reborn into a new life on the Heaviside Layer. The first contender Munkustrap introduces is Jennyanydots "The Old Gumbie Cat"a large tabby cat who lazes around all day, but come nighttime, she becomes active, teaching mice and cockroaches various activities to curb their naturally destructive habits.
Just as Jennyanydots finishes her song, the music changes suddenly and Rum Tum Tugger makes his extravagant entrance in front of the tribe "The Rum Tum Tugger".
He is very fickle and unappeasable, "for he will do as he do do, and there's no doing anything about it". Then, as Rum Tum Tugger's song fades, a shabby old grey cat stumbles out wanting to be reconciled; it is Grizabella. All the cats back away from her in fear and disgust and explain her unfortunate state "Grizabella: The Glamour Cat".
Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jonesa fat cat in "a coat of fastidious black", is brought to the stage "Bustopher Jones: The Cat About Town". Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash startles the tribe and the cats run offstage in fright. Hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazera pair of near-identical cats.
They are mischievous petty burglars who enjoy causing trouble around their human neighbourhood "Mungojerrie and Rumpleteazer". After they finish, they are caught off-guard and confronted by the rest of the cats. He is a wise old cat who "has lived many lives" and is tasked with choosing which Jellicle will go to the Heaviside Layer every year. The cats put on a play for Old Deuteronomy " The Awefull Battle of the Pekes and the Pollicles "telling a story about two dog tribes clashing in the street and subsequently being scared away by the Great Rumpus Cat.
A sombre moral from Old Deuteronomy is interrupted by a second loud crash, presumably from Macavitywhich sends the alarmed cats scurrying. After a quick patrol for Macavity, Old Deuteronomy deems it a false alarm and summons the cats back as the main celebration begins "The Jellicle Ball"in which the cats sing and display their " Terpsichorean powers".
She tries to dance along, but her age and decrepit condition prevent her from doing so "Memory Prelude ". However, the cats do not understand him, so he has Jemima also known as Sillabubthe youngest of all Jellicles, sing it in simpler terms "The Moments of Happiness".
He was once a famous actor but is now old and "suffers from palsy which LP) his paws shake". He is accompanied by Jellylorumhis caretaker, who tells of his exploits. Gus then remembers how he once played the infamous pirate captain, Growltiger a. Gus tells the story about the pirate captain's romance with Lady Griddlebone, and how Growltiger was overtaken by the Siamese and forced to walk the plank to his death.
He is the cat who is unofficially in charge of the night train to Glasgow. Skimbleshanks is considered vital to the rail operations, as without him "the train can't start".
Within his song, a whole steam train engine is assembled out of objects in the junkyard. With a third crash and an evil laugh, the "most wanted" cat Macavity appears. He is the so-called " Napoleon of Crime" who always manages to evade the authorities. Macavity's henchmen capture Old Deuteronomy and take off with the patriarch in tow.
When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. Macavity holds his own for a time, but as the rest of the tribe begin to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion.
After the fight, Rum Tum Tugger calls upon the magician Mr. Mistoffelees for help "Magical Mr. Known as the "original conjuring cat", Mr. Mistoffelees can perform feats of magic that no other cat can do. He displays his magical powers in a dance solo and uses them to restore the lights and bring back Old Deuteronomy. Now, the Jellicle Choice can be made. Before Old Deuteronomy can announce his decision, Grizabella returns to the junkyard and he allows her to address the gathering.
Her faded appearance and lonely disposition have little effect on her song " Memory ". With acceptance and encouragement from Jemima and Victoria, her appeal succeeds and she is chosen to be the one to go to the Heaviside Layer and be reborn into a new Jellicle life "The Journey to the Heaviside Layer".
A tyre rises from the piles of junk, carrying Grizabella and Old Deuteronomy partway toward the sky; Grizabella then completes the journey on her own. Based on the definitive piece licensed version. Cats is an ensemble show with a large supporting cast and no leads.
Cats is completely told through music with no dialogue in between the songs,  although there are occasions when the music accompanies spoken verse. Lloyd Webber's compositions employ an eclectic range of musical styles so as to magnify the characters' contrasting personalities. The original concept of a set of contrasting numbers, without a dramatic narrative, meant that each song needed to establish some sort of musical characterization independent of the others and develop a quick rapport with the audience.
Such a rapid familiarity and identification of purpose can be achieved through pastiche. But it was only a musical starting point, for the songs in Cats move beyond the straightforward " Elvis " pastiche of Joseph and the Amazing Technicolor Dreamcoat ; they are less pointed, more the free workings within a range of chosen styles than direct copies of a specific performer or number.
The audience responds to the musical differences, given an initial security provided by the familiarity of recognizable, underlying stylistic generalities.
Lloyd Webber also employs various techniques to help connect the pieces. Namely, the score relies heavily on recurring motifs as well as the use of preludes and reprises. The musical also features an unusual amount of "group-description" numbers. According to musicologist Jessica Sternfeld, such numbers are usually relegated to the prologue and nothing more, as seen in " Another Op'nin', Another Show " from Kiss Me, Kate and " Tradition " from Fiddler on the Roof.
These numbers allow the cats to celebrate their tribe and species as a whole, in between the ones that celebrate individual members. Regarded as "one of the most challenging shows to dance in musical theatre history",  dance plays a major role in Cats as the original creative team had specifically set out to create "England's first dance musical".
The risky hiring of a British choreographer, Lynne, for a British dance musical was described by one historian as "a vivid and marvellous gesture of transatlantic defiance". Lynne choreographed the original London production with a dance crew consisting of her assistant Lindsay Dolan, the dance captain Jo-Anne Robinson, and cast members Finola Hughes and John Thornton.
The original staging of Cats at the New London Theatre was considered revolutionary  and "one of the first truly immersive theatrical experiences". Napier began designing the set in Novemberwanting "a place where cats might congregate together, which also included maximum room for dancing".
Over 2, of these scaled-up props were used to fill the whole auditorium in the original Broadway production. Napier also designed the costumes, combining cat and human features based on "hints" given in Eliot's poems, while ensuring that they did not impede the dancers' movements. As with the contrasting music and dance styles, the costumes and make-up are used to bring out each character's distinct personality. In order to reproduce the "hand-drawn aesthetic" of Napier's original design sketches, costume painters in the original Broadway production used squeeze bottles to apply the paint.
Due to the amount of dancing in Catsmost of the costumes did not last longer than a few months. The plot of Cats revolves around a tribe of cats vying to go to the "Heaviside Layer", which is used as a metaphor for rebirth.
Cats has been translated into over 15 languages and produced professionally in more than 30 countries. The musical was produced by Mackintosh and Lloyd Webber's Really Useful Groupwith direction by Nunn, choreography by Lynne who also served as the associate directorset and costume design by Napier, lighting design by David Herseysound design by Abe Jacob and music direction by Harry Rabinowitz. The final performance was broadcast live on a large outdoor screen in Covent Garden for fans who could not acquire a ticket.
The musical returned to the West End in for a planned week limited run at the London Palladium. Beginning on 6 December, the revival starred Nicole Scherzinger as Grizabella, and featured the original creative team, with direction from Nunn, choreography by Lynne and design by Napier. The musical was co-produced by the original London production team, along with David Geffen and The Shubert Organization.
Encouraged by the reception to the first West End revival, producers began looking to bring Cats back to Broadway in early Following its Broadway debut, Cats has been staged extensively across North America. This production was a "slow tour" that had lengthy engagements lasting for several months in each of the nine cities it visited.
After the show's closure on Broadway inTroika Entertainment obtained the touring rights for Cats and launched the show's first non- Equity national company. It moved to Montreal two years later and then toured other parts of Canada. Following the closure of the original West End production, a nationwide tour embarked in with Chrissie Hammond starring as Grizabella,   until Dianne Pilkington took over the role in The Japanese-language production of Cats by the Shiki Theatre Company has been playing continuously since it premiered in ShinjukuTokyo, in November This production is a "slow tour" with engagements lasting for several years in each of the nine cities it has visited.
This was a big financial risk for the Shiki Theatre Company as it meant that a long run was needed to turn a profit; however, stage productions in Japan ran on a monthly basis at the time and open-ended runs were unheard of.
Similar to the original London staging, the set of the 1,capacity CATS Theatre is built on a revolving stage floor such that during the overture, the stage and sections of the stalls revolve approximately degrees into place. Inthe show transferred to the newly renovated Ronacher Theatre where it ran for another two years before closing on its seventh anniversary in September Influenced by the show's success in Vienna, a German production by Stella Entertainment premiered in April at the newly renovated Operettenhaus in Hamburg.
The number of overnight visitors to the city increased by over one million per year within the first five years of the show's premiere. Cats redefined musical theatre in the German-speaking part of the world, turning an industry which consisted of repertory theatre at the time towards privately funded commercial productions. The success of the Vienna and Hamburg productions sparked a "musical boom" in the region that saw numerous musicals being launched not just in Germany but also in Switzerland.
After Hamburg, the German production transferred to Stuttgart where it played from to The production was seen byaudiences before it transferred to the Scandinavium in Gothenburg two years later.
The Dutch live entertainment company Stage Entertainment has been responsible for several European productions of Cats. This production was based on the London revival and also featured a new song written especially for the French show by Lloyd Webber. English-language touring companies have also toured the European region extensively. International tours in the early to late s included stops in Sweden, Norway,  Finland,  Greece,  Portugal,  Germany, Old Deuteronomy - Andrew Lloyd Webber - Cats (Vinyl,  and Italy.
It was credited with revitalising the then-stagnant musical genre in Australia. The musical played in Auckland from to and for a limited run in Besides Japan, Cats is also produced regularly in other parts of Asia. The region has hosted numerous English-language productions of the musical, beginning with a tour from to when it played in Singapore with local actress Jacintha Abisheganaden as Grizabella Hong Kong and South Korea. The musical has also been translated and staged nationally in Asia.
Spanish and Portuguese-language productions of Cats have been staged in South Americawith productions in Argentina in with Olivia Bucio as Grizabella in Chile in at the Arena Santiago  and in Colombia in and in Brazil in with Paula Lima as Grizabella.
Royal Caribbean International announced in April that a full-length production of Cats will be performed regularly for guests aboard the cruise ship Oasis of the Seas. Cats has been produced by various professional regional theatre companies.
Broadway Sacramento staged the musical in and at the Wells Fargo Pavilion. Block as Grizabella and Lara Teeter as Munkustrap. The musical is also available for school and amateur licensing through The Musical Company. Steven Spielberg 's former animation studio Amblimation had planned an animated adaptation of the musical in the s. Cats is a commercial blockbuster. The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre.
Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium.
Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged",  while Hepple declared that with Cats"the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us". There were a few lukewarm reviews, most notably from Irving Wardle of The Times. Wardle enjoyed Lloyd Webber's compositions but found the visual spectacle too overwhelming.
The reviews for the and London revivals were positive as well, with critics giving both productions an average of 4 out of 5 stars. Reactions to the original Broadway production were mixed. He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement.
However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten. Isherwood concluded that the revival was "fundamentally the Cats you knew and loved when you were first bit by the musical-theater bug.
Or it's the Cats you knew and snickered at when you first encountered it. Cats has received many international awards and nominations. Despite mixed reviews when Cats opened in New York incritics agreed that it was innovative and visually spectacular in ways that Broadway had never seen before.
Ultimately, critics are polarized on whether Cats has changed musical theatre for the better or for the worse. William Grimes wrote of its detractors: "There are more than a few who see the Cats phenomenon as the theatrical equivalent of the rise of the megabudget Hollywood action film.
For them, Cats is a soulless money machine. As the "first true megamusical ",  Cats pioneered a genre of musical theatre that is produced on a grand and global scale. Cats is considered the quintessential megamusical, because it reconceived, like no other show before, theatrical space as an immense affective encompasser, that transforms the viewing experience into a hypercharged thrill-ride and the spectator into an explorer of new and challenging aural and visual sensations.
Its unprecedented success paved the way for even bolder hyperspatial configurations, made the set designer a proper environment builder and raised light and sound design into the status of art in their own right. It also paved the way for the constant revolutionization of stage technology. Cats introduced a marketing strategy that set the template for subsequent megamusicals.
Early advertisements for the musical did not feature traditional pull quotes despite many positive reviews or any of the cast, instead branding the show itself as the star. This advertising method had the additional effect of diminishing the importance of critical reviews, popularising the so-called "critic-proof" status of megamusicals.
Additionally, Cats was the first Broadway and West End show to capitalise on merchandising as a major revenue stream.
Stalls were set up in the theatre lobbies to sell souvenirs ranging from toys and watches to coffee mugs, all of which were emblazoned with the cat's-eyes logo.
The official Cats t-shirt became the second-best-selling t-shirt in the world in the s, second only to the Hard Rock Cafe t-shirt. Merchandising has since become an important source of income for the industry. Beyond the megamusical, Cats also led the Broadway trend for musicals aimed at families and tourists, which later took the form of the Disney Theatrical Productions and jukebox musicals. People do want a theatrical experience for their children.
The musical's fantasy setting and disregard for verisimilitude allowed for groundbreaking experimentations in lighting and audio technology. The original London and Broadway productions featured David Hersey 's pioneering use of automated lighting to produce kaleidoscopic landscapes and complicated optical effects.
Hersey also used light in an "architectural manner", with fast-changing configurations to spotlight different performers in rapid succession. This dynamic shifting of the audience's perspective created an effect similar to that of fast cutting in film editing. Cats opened new regional, touring and international markets that the industry continues to capitalise on. Cats began the progressive transformation of "Broadway" from a specific location into a delocalized "moment of reception" that can be experienced Old Deuteronomy - Andrew Lloyd Webber - Cats (Vinyl and everywhere, even while continuing to depend upon the stamp of approval that box-office success in an actual Broadway theater bestows.
In the s, the success of local productions of Cats in Tokyo,  Sydney,  Vienna, Hamburg,  and Toronto were turning points that established these cities and their respective countries as major commercial markets in the global theatrical circuit. InThe New York Times credited the regional and touring productions of Cats with "almost single-handedly reviv[ing] the sagging road business".
Mackintosh's insistence that all touring productions of Cats replicate the Broadway production also resulted in the expansion and upgrading of regional theatre venues to accommodate the musical's demanding logistical requirements, as local theatre owners did not want to miss out on the opportunity to host the lucrative Old Deuteronomy - Andrew Lloyd Webber - Cats (Vinyl.
Bythe song had been played over two million times on radio and television stations in the US. As ofthe song had been recorded around times by artists such as Barbra StreisandBarry ManilowJudy Collinsand Johnny Mathisin covers ranging from easy listening to techno.
Cats was the ground-breaking show for all of us The success of it gave us all the freedom to go on and do other shows. With Catshe became a big celebrity in his own right. This made Lynne the first non-royal woman to have a West End theatre named after her. Eliot Prize which has since become "the most coveted award in poetry". Stage parodies of the musical have also been mounted in the West End and Off-Broadway. Starring Gerard McCarthy as Dave and with choreography by Arlene Phillipsthe musical premiered at the Edinburgh Fringe LP) ;  it performed at various regional venues before making its West End debut at the Ambassadors Theatre in April Break the Musical!
Madame Tussauds New York features wax figures of several characters from the musical, including one of Grizabella that sings "Memory" through the use of projection mapping technology.
The musical was chosen as one of fifteen "outstanding artifacts, events and activities" from the s to be commemorated with its own stamp design. The stage production of Cats has undergone several revisions since its London opening. When the show transferred to Broadway, several cuts and rewrites were made with the intention of appealing more to an American audience.
Lloyd Webber performed this song at the show's 6,th Broadway performance, when it broke the record to become the longest-running Broadway show. The "Growltiger's Last Stand" sequence has been changed multiple times over the course of the show's history. For the original Broadway production, the Ballad was replaced with "In Una Tepida Notte", a parody of Italian opera with more slapstick humour. The original lyrics, taken directly from the Eliot poem it is based on, included the ethnic slur " Chinks " and this was later replaced with the word " Siamese ".
In the original London production, Mungojerrie and Rumpleteazer were characters in their own right and sang their eponymous song themselves as a singsong-style duet. When the show transferred to Broadway, the song was instead sung in the third-person, with Mungojerrie and Rumpleteazer as puppets being magically controlled by Mr.
Their number was also rewritten to be faster and more upbeat, alternating between vaudeville -style verses and a "manic patter " section. Eventually, the Broadway version of the song was rewritten to allow Mungojerrie and Rumpleteazer to once again sing their own song as full characters.
The London revival introduced several modernizations to the show. Rum Tum Tugger was reworked from a ladies-man rockstar to a breakdancing street cat. His eponymous musical number was also turned into a rap. The Broadway revival featured new choreography by Andy Blankenbuehlerwho introduced more hip hop and cool jazz elements to the movements and dances.
From Wikipedia, the free encyclopedia. Redirected from Heaviside Layer. Logo by Really Useful Group. In the original London and Broadway productions, she climbs up a stairway that emerges from the ceiling. In the s and s scaled-down touring productions, she ascends via a flying saucer -like vessel. Mistoffelees" — Mr. Main article: Jellicle cats. Further information: Cats film and Cats film. Main article: List of awards and nominations for the musical Cats. Main article: Memory Cats song.
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Originally released in , this album is the Original London Cast Recording of 'Cats', composed by Andrew Lloyd Webber and features Elaine Paige's version of 'Memory'.Disc The Overture - Various Performers2. Prologue: Jellicle Songs for Jellicle Cats - Various Performers3. The Naming of Cats - Various Performers4. Jun 30, · Cats 2xLP GATEFOLD. Title: Cats 2xLP GATEFOLD. Artist: Andrew Lloyd Webber. Act One "When Cats Are Maddened By The Midnight Dance". Prologue: Jellicle Songs For Jellicle Cats. The Naming Of Cats. This item is a 2x vinyl record and has been visually climdetitidilo.stefebdicompsagriadergfoundtalawsafet.co Rating: % positive. Label: Geffen Records - 2GHS • Format: 2x, Vinyl LP, Album Gatefold • Country: US • Genre: Stage & Screen • Style: Musical Andrew Lloyd Webber - Cats: Original London Cast Recording (, Gatefold, Vinyl) | Discogs4/5(18). Cats [Original London Cast], an Album by Andrew Lloyd Webber. Released in on Polydor (catalog no. ; CD). Genres: Show Tunes. Andrew Lloyd Webber - Overture (From The Motion Picture Soundtrack "Cats") () Cast Of The Motion Picture "Cats" - Jellicle Songs For Jellicle Cats (From The Motion Picture Soundtrack "Cats") () Rebel Wilson - The Old Gumbie Cat (From The Motion Picture Soundtrack "Cats") () Купить виниловые пластинки с доставкой Andrew Lloyd Webber - Cats Musical (VINYL) 2-LP в интернет-магазине Виниловые пластинки лицензионные диски магазин Фонотека. Купить лицензионные компакт диски CD Andrew Lloyd Webber - Cats Musical (VINYL) 2-LP в. Andrew Lloyd Webber's epic Cats takes its characters from T.S. Eliot's book Old Possum's Book of Practical Cats. Though the book contains no narrative structure, Webber has created one, although what drew audiences to the theater in droves was the charm of the feline characters, not the tale of what happens to them. The score is rather fetching but simple, with moments of elegance, like the. "Old Deuteronomy" Track Info Written By Andrew Lloyd Webber & T.S. Eliot Cats: Original Cast Recording ( Original London Cast) Original London Cast of Cats. Shop records for sale for album Cats by Andrew Lloyd Webber on CDandLP in Vinyl and CD format. Double LP. The original London cast recording to the beloved Andrew Lloyd Webber stage masterpiece, CATS, has now been reissued on black vinyl for One of the longest-running shows in London's West End, and Broadway history, the stage musical Cats includes some of Andrew Lloyd Webber's most indelible songs, including "Memory.".
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